Produced by Michael H. Gavshon. © 2021 CBS Interactive Inc. All Rights Reserved. "I will find you on that day in Wiesbaden and will kill you while you're on stage." In Munich, we caught up with him for a rare performance that wasn't cancelled. Igor Levit: The 60 Minutes Interview CBS News Ron Swanson's most memorable moments from 'Parks and Rec' Yardbarker Classic five-and-dime stores from yesterday and today Cheapism 8 in C Minor, WAB 108 (Edition Haas). It could have been a disaster for Levit, a hipster, suddenly grounded at home in an edgy pocket of Berlin. They can be disengaged. Walkman in my hand. For 52 consecutive nights of live concerts, his followers joined from all over the world, unbothered by the tinny sound of his piano when it lapsed out of tune. It's music which gives me, which gives the audience. This triangle is enormously intense. Jon Wertheim: -technicians and the lighting-. Channeling Eminem and his single "The Way I Am.". Accompanied by Helmut Deutsch, a highly personal selection of romantic songs from Schubert, Brahms, and more. Here he is inside London's Royal Albert Hall, for the opening at The Proms in 2017, one of the oldest and most anticipated festivals on the concert calendar. Even in a vast and venerable concert hall, this German musician has a way of creating an intimacy with his audience. More alarmingly, before the pandemic, he received online death threats, forcing him to take the stage under armed police guard. At a protest against the destruction of this forest last month, Levit bundled up and played in solidarity — the environment is one of his many causes. read more. When the German pianist, Igor Levit was selected as the featured soloist of the Nobel Prize ceremony last month, it marked yet another grace note in a career that's quickly grown filled with awards and honors. No boundaries, just-- just myself and the people. As Igor Levit plays in a new way to a new audience, he's reached a conclusion: music is not an extravagance, but a life necessity. Levit has been told to his face that he has no right to be in Germany. Jon Wertheim: that would seem to dramatically change the boundaries between a performer and the audience. You came when you were 8 years old. Igor Levit: I not only survive, I was high as a monkey afterwards. So much better, he next streamed what was less a challenge to his musical talents, than to his musical stamina. Igor Levit: I can't just make music for myself. And so I thought wow, that's the perfect match for this time. 'Cause just-- just the fact that there was music, no matter how it sounded. A typically glowing review described the performance as "fiery," "magical," and "elegant." So I had this idea to bring one of the most classic ways of music making, which is the house concert, to bring it, to try to bring it into the 21st century. Jonas Kaufmann Selige Stunde. His tour dates cancelled, that intimacy evaporated. His activist politics have provoked attacks on multiple fronts. Teodor Currentzis & musicAeterna ... Return to Life from FATELESS. It doesn't really make sense. Igor Levit: Correct. 2, winning a prestigious Rubinstein Prize as a teenager. In line for a Grammy later this month, Levit is 33 and already among the brightest stars in the classical music cosmos. The most memorable illustrations of 2020, as chosen by art directors at The New York Times. Associate producer, Elizabeth Germino. It was enough for me to feel better. Jon Wertheim: When did you feel like a German here? A rich, diverse selection of the world's most beloved Christmas carols and songs, A concept album as imaginative, sensitive and philosophical as the pianist herself, A very personal double album marked by a desire for encounter and togetherness, Accompanied by Helmut Deutsch, a highly personal selection of romantic songs from Schubert, Brahms, and more, Listen to their first-ever Beethoven recording, marking the composer's 250th anniversary, Vivaldi’s most beautiful opera arias turned into three wonderful new clarinet concerti, His first holiday album "It's Christmas! And, in the days of soaring COVID rates and depleting concert dates—he plays on. So I would listen to the song like nonstop. And the way I am just-- deal with it. He's adamant, as he puts it, not to be the guy who just pushes piano keys. I get the feeling, you need that connection with an audience. Igor Levit: I am who I am. Igor Levit describes Beethoven’s radiant E flat major concerto as a work that “makes you really happy”. Igor Levit: Completely I could, you know, anything, you know? He was born in Nizhny Novgorod, Russia, that's where he played his first concert with a full orchestra when he was 8 he and his family moved to Germany as Jewish refugees. Starts with one hand alone, and you play a weird variation. Igor Levit is, to mix musical genres, a rock star. Take a look at how Levit curls over his instrument. read more. And I am. You said he's-- he's around you. This is about me." Copyright © 2021 CBS Interactive Inc.All rights reserved. He had his classical repertoire, but added soul and jazz and rock. Igor Levit: It-- yeah, it was just me, no hall, no questions about acoustics, no questions about an instrument, no questions about, you know, pre-printed programs, nothing. Levit takes his citizenship seriously. The 2020 Nobel Laureates talk about their research and careers in a unique roundtable discussion, 'Nobel Minds', moderated by Cecilia Gralde. Edited by Daniel J. Glucksman. I mean, what kind of sadness? The "Vexations" is not exactly a reliable crowd-pleaser. Igor Levit: In-- in a weird way, Beethoven's music is my safe zone. Jon Wertheim: We sometimes think of musicians as-- they don't mind the isolation. He's in practically everything you do. It's so-- it's so Beethovian, you know, in a way. Jon Wertheim: As a Jew you were an outsider--. The first Jewish Museum in Berlin was founded on 24 January 1933, under the leadership of Karl Schwartz, six days before the Nazis officially gained power.The museum was built next to the Neue Synagoge on Oranienburger Straße and, in addition to curating Jewish history, also featured collections of modern Jewish art. I can't, emotionally. Igor Levit: Well-- Vexations, right? Immediately? It was, like, in a loop the rhythmical persistence, the-- the-- the lyrical persistence. A canopy of notes, sharply rendered, filled the air, a measure of comfort in these uncertain times. It's your music. So I'm not trying to explain something to you. The sedate cocoon of classical music isn't accustomed to death threats and talks of erasure. A very personal double album marked by a desire for encounter and togetherness. At odds with every piano teacher's demand for perfect posture, it's almost as if Levit is physically becoming part of the music he is conjuring. It's your piece. Jetzt zu Sony Classical Deutschland wechseln! since my very childhood what I care about are people--. Igor Levit: I couldn't live without that. Like you know. At some point, you-- you get this feeling like, "Oh, this is about me. Just-- just this was enough for people to feel better. Igor Levit is, to mix musical genres, a rock star. Igor Levit: This feeling of SOS, help, what is happening here. El culo de la brasilea jade jantzen no tiene fin, joder - culos. ", Bruckner: Symphony No. I mean, I was-- I was just flying. It's just not-- not the-- not the way I operate. Then in March, the pandemic hit. 2, for years on end. Levit says he was an angry and unhappy adolescent, who flirted with quitting piano. Igor Levit: Because of the pandemic. it's a total disaster. As Igor Levit plays in a new way to a new audience, he's reached a conclusion: music is not an extravagance, but a life necessity. In a part of the world that knows a bit about musical genius, Levit may be consumed by a composer born 250 years ago; but he is also the quintessential creature of the present. Igor Levit: Well, that's a wide topic. His mother was a piano teacher but paired her talented son with a taskmaster who demanded Levit practice that same Beethoven's Sonata No. So how does a burned-out piano prodigy get his mojo back? I can only dream about such a relationship because, in real life, it's only a pipe dream unless you're filthy rich and in need of some arm candy. I wanna encourage you to understand hey, whatever you feel, it's-- it's you. But then again, Igor Levit cuts a singular figure. Mozart was on the menu. Jon Wertheim: And yet, you coulda played a different piece with that same triangle and a completely different range of emotions--. Igor Levit: And I could focus with this performance on the emotional and mental state of mind of my world, of the performance world which is hopelessness, confusion, and give, like, a silent scream, like the end of the third part of "The Godfather.". French surrealist composer Erik Satie intended this piece to be played through 840 times. Following Levit’s debut with the orchestra at the 2015 Easter Festival in Baden-Baden, he now appears for the first time with the Berliner Philharmoniker at the … Jon Wertheim: In many ways, the lockdown turned your world on its head. But lately, as the pandemic mutes and muffles so much music, Levit's performances have been mostly streaming over Twitter from his Berlin living room. Agents, managers. Like, I-- you know, I wanted to do all kinds of things, but not play the same piece over and over and over and over and over again. Igor Levit Encounter. The pianist tells Jon Wertheim about finding an audience during the pandemic, speaking out against antisemitism, and understanding Beethoven with the help of Eminem. Igor Levit: I was a 15-year-old boy. The first house concert drew a virtual crowd of 350,000. The repetition can be almost hypnotic, known to cause performers to hallucinate - one complained of seeing bugs crawling between the keys. Igor Levit: It's completely transformed me, who I am, how I see the world. Igor Levit: They lose everything from one day to the other. Jon Wertheim: I don't know, when did you feel--. Stan Lee's Superhumans is a documentary television series that debuted from August 5, 2010 to September 17, 2014 on History.It is hosted by Marvel comic book superhero creator Stan Lee and follows contortionist Daniel Browning Smith, "the most flexible man in the world", as he searches the globe for real-life superhumans—people with extraordinary physical or mental abilities. Levit took flight early, playing Beethoven's Sonata No. (LAUGH) I rest my case. One hand alone, then you play another variation. Both of them take a rubber and try to erase you from-- from Mother Earth, both of them. One of them intellectually, the other one physically. First, he tweeted out an invitation to his followers. When, a Neo-Nazi carried out a deadly attack outside a synagogue in the German city of Halle in 2019, Levit used his appearance at Germany's most prestigious music award ceremony to speak out against right-wing extremism and anti-Semitism. Levit during the  "Vexations"  performance, California Privacy/Information We Collect. Go to Sony Classical Germany. Levit played this piece for 16 hours straight. And so-- Beethoven-- Beethoven's music kind of creates this link between the player, the music, the audience. So I invite the people into my living room in the only way possible, which is through social media. So how do I do it? Both for me as a player and for the listener. Igor Levit: A disaster. There was no hum of anticipation in the lobby, no bustling coat check and the audience: it was restricted to just 50 people. The feeling of participation. Just the fact that there was some kind of togetherness. Levit doesn't drive, but in between lockdowns in October, we tooled around with him on one of his many bikes. Igor Levit: Oh wow that's-- That, Mr. Wertheim, is a very German question. Igor Levit: The "Vexations," which is a very odd, very weird-- kind of non-music piece. Jon Wertheim: Igor, that sounds like torture, not music. Jon Wertheim: Beethoven obviously means a great deal to you. And so what usually must be right was wrong, and it didn't matter. Find other content tagged with poz blood slam hepc hookers. We would like to show you a description here but the site won’t allow us. The loss is-- by 100%. Igor Levit: The 60 Minutes Interview CBS News As the virus spikes, vaccine distribution is one more hurdle for states The New York Times The definitive ranking of every 'Batman' movie Yardbarker And sort it out for yourself. They are discussing the theories, discoveries and research behind their awards, and the value of science in dealing with the global pandemic. 2013] zoey holloway - would you like some satin fun from depfile. The actors and music in the all Russian compilation comprise pianist Daniil Trifonov who conceived the compilation, fertilizers the liner note and performs on the piano, music pieces by composers Alexander Scriabin (1872-1915), Igor Stravinsky (1872-19971), and Sergei Prokofiev (1891-19533), the Mariinski Orchestra and its Director Valery Gergiev. Then you play it-- same thing again. Next, he rushed out to buy a cheap camera stand, hastily rigged his iPhone, self-administered a tutorial in live-streaming and then, it was showtime.